LIGHT IN MUSIC. MUSIC IN LIGHT.
Light in sound. Sound in light. In rare moments, they interpenetrate—and in such moments, we realize what art is capable of: helping us feel life in all its fullness.
At the ELEKTRA TONQUARTIER at the Bergson Kunstkraftwerk, two artists and two worlds come together. Pianist Vivien Walser engages in a dialogue with the light installations by LIGYUNG—one of the world’s most acclaimed contemporary media installation artists. Together, they create an evening that blurs the boundaries between the senses.
Music That Shines
Drawing on works by Robert Schumann and Alexander Scriabin—composers in whose music light is not a metaphor but an inherent force—Vivien Walser explores, at the piano, those realms where sounds become colors. Scriabin’s synaesthetic vision, Schumann’s inner radiance: here, what one can see is set to music.
Installation art that makes a sound
LIGYUNG’s light installations respond—not as illustrations, but as independent works. They breathe with the music, come into being in the very moment, and exist in the here and now. Light becomes audible. Music becomes visible. What remains is an experience that transcends the language of everyday life.
A Place for the Extraordinary
The Bergson Kunstkraftwerk, with its ELEKTRA TONQUARTIER, is more than just a performance venue—it is a space that invites you to push boundaries. State-of-the-art technology, a spirit of innovation, and an openness to new audiences make it the ideal venue for a project that brings together different art forms and offers unforgettable experiences.
A classical piano recital meets a contemporary media installation. Two artists. One experience. One evening.
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